- How does queer (re)define the dichotomy of private and public? Can queerness ever actually be a private matter?
- To what extent and with what investments is a queer public formed in and through queer performance and the performance of queerness?
- How might we conceive of counterpublics and what is the political utility of a queer counterpublic? That is, if a counterpublic is defined through mobilizing around the shared experiences of oppression and the shared endgoals for navigating those oppressions, can queer groups, suspicious of any stable identity formation, arrange themselves as counterpublics and at what cost?
- What material and immaterial media are necessary for the enactment of queer publics and are those media differently hospitable to queer aims and interests?
Keyword "Public"
Berlant & Warner, "Sex in Public"
Warner, Chapter Three, "Styles of Intellectual Publics"
Queer + Public + Performance is a working group that will engage the intersection of queer scholarship, performance, art, and technologies within the University of Washington and beyond. Q+P+P is sponsored by the Simpson Center for the Humanities: http://depts.washington.edu/uwch/projects_0910_queer_public_performance.htm